Jan
22
2010
Red sky in the morning,
sailors take warning.

digital painting
Do you remember the old weather prediction rhyme?
Mornings this winter often arrived under rosy skies, followed by rough weather. We welcome rain here in the high mountain desert. After soaking soil, it brews up as creeks, and gushes into the rivers and lake.
Right now, snow powders the mountains from the latest, ongoing drenching. Smoky white and ominous gray shapes surround me, a line of silver gleams when the sun blinks.
I never tire of looking at these Sierra ranges. Whiteness is but a temporary disguise. Their appearance changes with the seasons’ light and time of day. Underneath the cold mantle, blues, purples, grays, browns, greens, tans await.
How can an artist resist?
Red sky at night,
sailors delight.
May
01
2008

Phyllidos Owl
In the black space of night the deep rhythmic calls of owl bounce round. Unseen, only those hoots, and perhaps the swoosh of quick wings mark its presence. Even in the day it stays hidden, merging into the tree.
Apr
16
2008

Viridis Praying Mantis
I take it back already, the part about the collage series being about animal masks as this collage depicts an insect. There are a couple of birds also… so let’s just say the mask collage series is mainly about fauna, no frolicking fauns to be found-but mostly fauna, one flora, and one harlequin. The harlequin fits into what category? Into masks and art.
I’m dancing around words here working myself up to discussing the color green. In the distant past, green was not my favorite hue. This didn’t apply to green in nature. Nature was the natural home for green, deep forest green in plants; pine green in trees and vivid grass green. Visually I would roll and delight in nature’s green. But no icky green in clothes, man-made surroundings or furnishings for me…and I had difficulty using green in paintings. Weird! Perhaps the aversion developed because my mother had a thing for the color green and persimmon orange and would use them together freely whenever she could.
Geez, maybe it could have been used to explain away my teenage rebellion “She had artistic sensibilities and was forced to live with a huge, olive green, sectional sofa…and orange pillows, a difficult combination for her, so she became quite irrational”.
If only life was that simple. Although now I understand how colors affect us emotionally, psychologically, and physically.
At some point in my art development I confronted green in my work realizing that dancing around that was ridiculously limiting. I did an all green painting. It was awkward and the resulting work was unremarkable but it pushed me unto a new level. Which is the whole point here. Creative growth demands that we push ourselves out of our comfort zones, whatever they may be (as I imagine some must be snickering about the color obsession here).
If we are to progress and fully engage our imagination we need to continually explore alternative perspectives. Don’t think that this applies to artists exclusively. Creativity is a natural brain function for all, but that’s another bit of writing.
While making this collage the combinations of green patterns in the various papers delighted me. I’ve learned to embrace the green! That is, I pushed my limitations and welcomed what propelled me onward toward greater understanding.